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The guitar legend straps on his Fernandes goldtop (once owned by Gary Moore) and gives a run through of all his pedals and how they shape his sound.
“I always apologize to the two Erics [Clapton and Johnson], ‘You have no idea how much I’ve ripped from you,’” joked Joe Bonamassa during a recent video with YouTuber Rick Beato. The Grammy-winning bluesman followed that up with a gracious response: “We all get it from somewhere.”
That “somewhere” is a muse that molds every guitarist’s individualistic style and voice. For example, Eddie Van Halen shook the world and confounded guitarists with his explosive two-hand, finger-tapped “Eruption” performance on Van Halen’s 1978 debut. Yngwie Malmsteen put listeners in awe with his dazzlingly clean and swift sweep arpeggios. They both became synonymous with those talented techniques, and were heralded as pioneering groundbreakers. But where did they get the ideas from before expressing and executing them it in their signature style? Both took a page out Steve Hackett’s prog-rock playbook.
Hackett’s two-hand tapping technique can be heard in the early ’70s on Genesis’ albums Nursery Cryme and Foxtrot. Hackett’s sweep picking was first heard on the 1973 Selling England by the Pound track “Dancing with the Moonlit Knight.” Those contributions alone should’ve been enough to land Hackett in the Rock & Roll Hall of Fame. (His combined work on six Genesis albums in six years earned him a slot in 2010.) On top of that smashing success and influence, he’s recorded nearly 30 solo albums—ranging from prog-rock and blues to world and classical—over a dozen live albums, and even traded licks with Steve Howe in the short-lived supergroup GTR. Hackett might not be recalled like the other guitar greats, but without his shoulders to stand on, those first-name giants might not have shone as bright.
Hackett’s headlining Ryman Auditorium tour stop in late October 2023 celebrated the 50th anniversary of Genesis’ Foxtrot—a seminal, prog-rock tour de force that was recorded when singer Peter Gabriel, bassist/guitarist Mike Rutherford, drummer Phil Collins, keyboardist Tony Banks, and Hackett were in their early 20s. Before the show, PG’s Chris Kies was invited onstage to go over the minimal-but-mighty setup used by Hackett. First tech Vince O’Malley detailed a Fernandes goldtop (once owned by Gary Moore) with its limitless Sustainer circuit and a treasured nylon-string Alvarez built by master luthier Kazuo Yairi in the 1970s. Then Hackett himself joined the fun and plugged his Fernandes into his pedalboard to show off all the sounds, tones, and colors he requires to honor his days in Genesis.
Shop the Rig:
Ernie Ball Extra Slinkys - https://sweetwater.sjv.io/ZQvZA1
D’Addario Pro-Arte’ Nylon Light Tension EJ43 - https://sweetwater.sjv.io/jrGvL5
Engl Powerball - https://sweetwater.sjv.io/VmvG53
Marshall 1960A 4x12 Cabinet - https://sweetwater.sjv.io/XYvVea
Celestion G12T-75W Speakers - https://sweetwater.sjv.io/9gjXYy
Tech 21 SansAmp GT2 - https://sweetwater.sjv.io/zN57VM
Boss PS-6 Harmonist - https://sweetwater.sjv.io/DKZ2Nn
EHX Attack Decay - https://sweetwater.sjv.io/1rMmNd
Fishman Aura - https://sweetwater.sjv.io/g1e2EB
DigiTech Mosaic - https://sweetwater.sjv.io/k01mqN
Ibanez TS9 Tube Screamer - https://sweetwater.sjv.io/EKVmje
DigiTech Whammy WH-5 - https://sweetwater.sjv.io/q4LBRO
TC Electronic Flashback 2 X4 Delay - https://sweetwater.sjv.io/B0V6ML
MXR EVH Phase 90 - https://sweetwater.sjv.io/vNbBJj
Voodoo Lab Pedal Power 2 Plus - https://sweetwater.sjv.io/LXm31V
Dunlop 105Q Cry Baby Bass Wah - https://sweetwater.sjv.io/Gm4vNk
Radial ProDI Passive Direct Box - https://sweetwater.sjv.io/PyqVbN
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