Guitar World | 1 decade ago
This video is bonus content related to the November 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store:http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-november-14-billy-gibbons-and-jeff-beck
In the last few columns, we looked at ways to build chord shapes, or “grips,” from the Dorian and Aeolian modes (Aeolian is also known as the natural minor scale), which are two of the most widely used minor modes for soloing in rock, blues, and jazz.
Last month, we turned our attention to the equally popular and useful Mixolydian mode, which is intervallically spelled 1(root) 2 3 4 5 6 f7. This is the mode that includes the dominant-seven chord tones 1, 3, 5 and f7 and gives us chords like E7, A7 and D7, as well as chords that include “upper-structure tension tones,” or “tensions,” namely the ninth, 11th and 13th.
I encourage all guitarists to attain as complete an understanding of the Mixolydian mode as possible, as this will help in broadening one’s understanding of music theory and the fretboard, as well as reap countless options that can be applied to both soloing and rhythm guitar playing.
